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Circle of Fifths

See how keys relate, how many sharps or flats each has, and which chords belong to a key, and hear the scale.

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How to use Circle of Fifths

  1. Click a key on the outer (major) or inner (minor) ring.
  2. Read the key signature, scale and chords.
  3. Press Play to hear the scale.

Features

  • Major and relative minor rings
  • Key signature with the sharps or flats named
  • Correctly spelled scale notes (F♯ major has E♯)
  • Seven diatonic chords with Roman numerals
  • Play the scale

Supported formats

Input

  • Typed settings

You get

  • On-screen reference

Private by design

Everything you enter is processed by your browser on this device. Nothing is sent to openWorkstand or anyone else, so the Circle of Fifths is safe for private and work data. After you have used it once while online, it also works without an internet connection. How local processing works

Good to know

  • Shows major and natural minor keys only, not modes or harmonic minor.

Guide

The circle of fifths: key signatures, relative minors and chords in each key

The circle of fifths is a diagram that lays out all twelve keys so that neighbours are closely related. It is the quickest answer to “how many sharps does E major have?”, “what is the relative minor of A flat?” and “which chords fit together in this key?”. This page makes it interactive: click a wedge, read off the key signature and chords, and hear the scale.

How the circle is built

Start at C at the top. A fifth above C is G, and G has one sharp. A fifth above G is D, with two sharps, and so on clockwise to B (five sharps), F sharp (six) and onwards, where sharps become flats again. Going anticlockwise from C moves up by a fourth, and each step adds a flat: F has one flat, B flat two, E flat three. After twelve steps you are back to C. The inner ring holds the relative minor of each major key: A minor inside C, E minor inside G.

A worked example

Click D on the outer ring. The key is D major with a key signature of 2 sharps: F♯ C♯. The scale is D E F♯ G A B C♯. The relative minor is B minor. The chords built on each degree are D, Em, F♯m, G, A, Bm and C♯dim. The neighbour a fifth up is A major and the one a fourth up is G major. Click C and the page shows no sharps or flats. Click a wedge on the inner ring, or choose Minor, and the page shows that natural minor key with its own scale and chords.

Reading the key signature

Sharps appear in a fixed order, F C G D A E B, and flats in the reverse, B E A D G C F. A key with three sharps has the first three of that list: F♯, C♯, G♯. The page lists them for the key you choose. To find the major key from a signature with sharps, go one semitone above the last sharp: with sharps through C♯, the key is D.

Chords in a key

In a major key the chords on the seven degrees follow the pattern major, minor, minor, major, major, minor, diminished. The three major chords on the first, fourth and fifth degrees (I, IV, V) are the foundation of many songs; the minor chords on the second, third and sixth are the common companions. The table under the circle gives the chord names for the key, and the same chords in the relative minor are the same notes starting from a different place.

Using it with other tools

Pick a key to find which chords to write in a progression, then try them in the Chord Diagram Maker. Use the circle to decide where a song can modulate. The Play the scale button sounds the scale, so you can hear how the minor differs from the major with the same signature.

Edge cases

The keys at the bottom, F sharp major and G flat major, are the same sound with six sharps or six flats; the circle shows one spelling. Keys with many accidentals, such as C sharp major with seven sharps, are rare in practice. The page uses natural minor, so the raised sixth and seventh of melodic and harmonic minor are not shown.

Checked against the current version of the Circle of Fifths on .

Frequently asked questions

What is a relative minor?

Every major key shares its notes with one minor key, which starts on the sixth note of the major scale. C major and A minor both use only the white keys. They have the same key signature but different home notes.

Why are neighbouring keys easy to move between?

Keys next to each other on the circle share six of their seven notes, so a song can change to a neighbour with one note altered. That is why modulations to the dominant or subdominant sound smooth.

Why does the circle go up by fifths?

Each step clockwise moves up a perfect fifth (seven semitones) and adds one sharp. Each step anticlockwise moves up a fourth and adds one flat. After twelve steps you are back where you started.

Keep working with the result

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